There is no true escape, I’m watching all the time

Judas_Priest_-_Screaming_For_Vengeance-front

Chicago has its annual Pride parade tomorrow, and I’m hoping I’ll be able to go. When I lived in the part of Chicago where the parade takes place, it was always a highlight of the summer. I’m sure that it still is, too, but since I don’t live in Boystown anymore, it’s not the same as it was for me. I have a feeling that the Supreme Court’s decision this week to strike down DOMA will add a little bit extra to this year’s festivities, too.

I’ve come a long way on gays in my lifetime, as many people have. And one of the markers on this is Judas Priest. I remember listening to Screaming for Vengeance my freshman year in high school, back in the early 1980s, but never suspecting that frontman Rob Halford was gay. All I knew was that the leather and studs look he introduced into the heavy metal genre was not the way I would ever dress, but it looked sufficiently badass and was therefore cool. The title of this post is taken from a line in the song Electric Eye, which seemed to be about 30 years ahead of the NSA curve.

When Rob Halford came out in the 1990s, I realized that the leather and all of that was not quite what I thought it was. But he had the same amazing voice, and the same kickass songs that I listened to as an angry and confused teenager. Nothing was any different, except that he told the world about who he was.

The social pressures that once prevented Elton John from coming out, and kept Freddie Mercury and George Michael and Johnny Ray and who knows how many others in the closet–or worse, forced them to present themselves as ladies’ men–have greatly changed through the years. And this is a good thing, because great music is great music, no matter who makes it.

Happy Pride to everyone reading this, in June of 2013 and every month after that as well.

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