One song, Comey

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As the six year anniversary of my blog is coming up in a few days, it’s pretty clear that my interest in doing this has waned considerably. I once thought the Trump era would lead to all sorts of insights and observations on my part about how terrible everything has become under his stewardship, but it hasn’t turned out that way. Every day new “bombshells” are revealed, each one more terrible than the one before, but nothing seems to happen as a result. And while this didn’t start off as a political blog, the nature of the times has made it difficult to muster up much interest in writing about anything else.

The plain truth is that republicans in congress are aiding and abetting Trump, and they aren’t going to change their course, either.

Jim Comey–who all but ushered Trump into office last October–will get his comeuppance against Trump tomorrow, and I wouldn’t miss it for the world. I hope that Trump’s malfeasance in trying to kill the investigation into Mike Flynn is as tawdry and shameful as anything that’s ever been said aloud in the halls of congress. The rest of the world is already aghast at this villain who seems bent on upending the United States and all of its democratic institutions.  They scoff at him, and at all of us Americans for electing such a buffoon in the first place. And by allowing him to remain in office for over four months so far, we deserve their contempt.

So let Jim Comey swing away at Trump tomorrow. If there were any justice in the world, his words in June would unmake Trump as president, as effectively as his words made him president last year. But with the Obamacare repeal and tax cuts for people who don’t need them and that grotesque farce of a budget on the horizon, the republicans are like Slim Pickens at the end of A Clockwork Orange: They’re going down toward certain destruction, but they’ll be waving their hats and hollering as they go. Here’s hoping that Jim Comey can at least throw a wet blanket over their ride into oblivion.

(NOTE: The title of this post is a tribute to Jonathan Larson and RENT, which I saw for the second time recently, nearly two decades after the first time. The songs still sounded as good as I remember them. Viva la vie boheme!)

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