My wife and younger daughter are on Cape Cod this week, and it’s been quiet around the house in their absence. But I wanted to share some old pictures before they left, because time moves so fast, and one day’s little kids become another day’s adolescents/teenagers. Enjoying this process–as I’ve always tried to do–is the best we can hope for.
I’ve just passed my actual birthday, and I’m in between two very important dates to me. So at sunset on a beautiful day in the park nearest my home, it’s time for some reflection.
For five years, I’ve filled this blog with stories, ideas, pictures, limericks, and whatever else has come into my head at any given moment. I truly enjoy the creative outlet that this provides to me. It’s never been anything but a diversion for me, but I can’t imagine a time where I haven’t got anything I want to say.
The other anniversary, coming up in about a week’s time, is five years since I gave up drinking, once and for all. All but a very few posts on this blog have been created by me in this new and (I have to believe) better state I’ve chosen for myself.
Are the two related in some way? I’ve thought about this, but I don’t know what the answer is. I’m not chronicling my sobriety, at least not intentionally. But it’s bizarre to me that after a quarter century, I was able to just set it aside so quickly and so completely. I never needed it as much as I thought I did, apparently.
But I need to do this, instead. Flannery O’Connor once said she wrote in order to find out what she thinks, and I completely understand this. The thoughts that escape my brain and make their way onto the blog achieve a type of immortality (no pun intended). So now, for as long as the Internet and WordPress survives, the thoughts in my head will live on. The park setting, the sunset, the Shakespeare play being performed on the lawn (It’s 12th Night, for the record), my kids having snacks with their friends, the bells of the palateria in the distance, the shouts of the children at play, all of it will now live on, at least in some small manner. And the man that I am–who is inevitably going to change in the months and years that I hopefully still have left–is hereby leaving a marker for anyone who might care to find it someday.
“YOU MUST AMEND YOUR DRUNKENESS!” an actor on the makeshift stage just bellowed, as if he and the Bard knew about my ruminations on having done exactly that. It was a change that was long overdue, but the words “better late than never” never seemed quite so appropriate. I hope to never go back to that place again.
Time to go and watch the rest of the play. Happy Summer to all.
Iles Park, Springfield, IL, circa 1975
My sister, my older younger brother, and I were all born in June. My brother’s birthday comes first on the calendar, so the family birthday season kicks off today.
We had a lot of fun together through the years, and even if I’m not happy with how I look in this old photo, I’m glad to have a reminder of us being kids together.
I hope he has a great day, and a great year following after that.
Last night I saw my daughter perform onstage with the rest of her classmates. They performed “In the Heights” and it was a one-shot performance at the end of the school year. She goes to an arts school because she grew up loving Disney musicals and Glee and Wicked and High School Musical. She’s performed in over a dozen shows, and watching her on stage never gets old.
When I was fifteen, and in high school myself, I was a mess. I was an awkward kid who said and did as little as possible, desperately hoping to remain in the background whenever I could.
The one thing I wanted to do when I started high school was play football. I thought that was the way to stand out and be recognized for something. I was willing to endure the workouts and hit the weight room if it meant becoming somebody different than who I was.
My parents, however, said no. They didn’t want me getting hurt, so they told me I couldn’t do the thing I most wanted to do. I hated them for it, too, because I didn’t know how else I was going to make my mark in school. But fate can work in some funny ways sometimes.
I went out for a part in the school play, which was M*A*S*H. The finale of the TV series had recently aired, and I watched the show for the first time as it was going off the air. I got a small part as the clueless commander, who was in the first scene and maybe one more in the second act. It was a bit part, but I was a bit player so I didn’t mind it too much. It was what I wanted, even, at that point in my life.
But a bigger role was presented two me two or three weeks before the show. Someone had left the cast, and I could have the role if I learned all the lines in the time that we had left. It was a challenge, but I accepted it and did what was asked of me.
We only performed two shows, one Friday night and one Saturday night, back in the fall of 1983, but they were a revelation for me. I realized that when I was onstage, people looked at me and listened to words that came out of my mouth, which otherwise didn’t happen for me. I found the thrill of that feeling overwhelming. The shy and awkward kid had found a place where he wasn’t shy and awkward, and it was an experience I’ll never forget.
In one of the scenes I was required to put on a football jersey and pants, and carry a helmet with me onstage. I knew that it was the closest I was going to get to playing football, but by that point I didn’t mind it at all. And now, thirty years after the fact, I’m glad that the everyday aches and pains that I sometimes feel don’t have anything to do with football. And the awareness of head trauma and dangers of CTE are something I’ve been spared, too.
In retrospect, I’m glad I never played football, and that I got a chance to experience what being on stage felt like, instead. I tried out for, and had a part in, the musical South Pacific the following spring, but my budding theater career came crashing to a halt when I opened my mouth to sing onstage. And my school never again put on any non-musical plays, so M*A*S*H stands alone in my memory. To borrow a phrase from the Rolling Stones, I didn’t get what I wanted (football), but I did try, and I found something that I needed instead (validation and attention through performing onstage).
My daughter, fortunately, is blessed with a lovely singing voice, and where it comes from I don’t exactly know.But I know how she feels being onstage. You feel like you’re somebody, because you are. You’re what everyone in the audience looks to for the entertainment and the escape–however brief it may be–from the realities of everyday life. I couldn’t be happier she enjoys it as much as she does. And I’m proud to support it in every way I can.
When you have two lovely, artistic-minded kids and a few thousand pictures saved on a hard drive, as I do, putting something like this together when you learn about #InternationalDanceDay isn’t very difficult. Call it a labor of love.
May everyone do a little dance today.
Many years ago (almost 34 years, to be exact) I wrote a letter to the editor of a wrestling magazine. The young teenager that I was at the time watched a lot of professional wrestling on TV, and they were to me what Batman and Superman were for those who read comic books. Dusty Rhodes, Ric Flair, Dick the Bruiser and, most of all, Roddy Piper were living, breathing examples of escapism and super powers. I would practice wrestling moves on the bed at home, or with my two younger brothers. It was a fun time in my life, and I miss it in some ways.
I felt sufficiently moved by my admiration for Roddy Piper to write a letter and put it in the mail slot of the hospital where I went to visit my dying grandmother. I never really thought they would publish it, though. Just saying it, or writing the words down, was enough for me at that time. But they published my letter in the fall of 1982, and the excitement I got from seeing my words and my name in print is something I haven’t since forgotten. My name has occasionally made its way into print, but literally millions of my words have been submitted for public review since then. It’s tremendously gratifying to know that many of my ideas and words are floating around, somewhere.
Two days ago, in the aftermath of Prince’s sudden and shocking death last week, I was again moved to send out a letter to the editor of a magazine, this time The New Yorker. I was barely aware of who Prince was back in 1982 when I wrote my first letter to the editor, but I learned not too long after that. And just as the Internet has come along and brought great change to the way news and ideas are shared with the public, I didn’t actually write out a letter this time, but I did compose the following as an email:
It’s April 25, and the news of Prince’s sudden passing still feels shocking and raw. We’ve all had a weekend to mourn and reflect on what his music meant for those of us who grew up in the 80s, as well as those who either discovered his music after that, or those who followed his newer music right up until the end. It’s a hard time for all of us, no matter which category we may fall into.
Your April 25 cover is a fascinating glimpse into this present day. There’s just no way that anyone connected with your magazine could have known that, by the date appearing on the cover itself, we would lose a man who was an absolute wizard on the electric guitar. Nor could you realize that the man whose music broke down every barrier–racial, gender, and generational, to name just a few–would leave us within days of this cover’s appearance. And yet, there it is on your cover, in red and blue (and the fact the two colors combine to make purple is another inexplicable coincidence).
We can see people of all concert-going ages, backgrounds, and stations in life joined together in a room, enjoying themselves in a way that would not be possible in any other public setting. The guitar’s fretboard we can see on the cover, but the guitarist’s identity in this idyllic scene remains unknown. My interpretation is that the guitarist most likely to make such a gathering possible is the one who is being commemorated in purple in your next issue.
I’m already thinking of these as the most accidental–and yet most appropriate–covers pairing that we’ll ever see. Many thanks for such an unintentional gift.
Whether the New Yorker does anything with this note is besides the point. I had something to say, and I said it. And the internet and this blog allow me share this message with whatever part of the online world wants to read it, too. Just having an outlet for the idea is enough. And when the Prince tribute cover arrived in the mailbox today, I had to put the covers side by side and share them here. They are the beautiful ones, indeed.
A a quarter of a century ago, I was fresh out of college, and finally on my own. There were bills to pay, of course, but life as I had imagined it to be was underway.
I moved into an apartment in Chicago, lured by a free month’s rent. And each day, I rode the bus downtown to the job I had, as a legal go-fer for a solo practioner attorney in the Loop. It was an exciting time in life.
This week, after a good chunk of my lifetime has passed by, I am back in the Loop again, serving on a jury trial. I walked through the lobby of the old building I once worked in. It was just as stately and marbled as I remembered it being.
I also sat on a marble bench, but that may not be the right word for it because it has no back, outside of the post office a block away. I would sometimes eat my lunch there, watching the people going by as I tried to imagine what my place in the world was going to be someday.
Sitting on that same bench yesterday morning reminded me of how the world has turned upside down since then. I got married, had two very lovely daughters come into my life, and now have a house and a mortgage and two cars and a few other things. The ride of life has been very good over those years, and I have many fine memories that have shown up in this space over the years.
But the ride still continues, as it will until I finally come to the edge of my mortality. When and how that happens remains a mystery, but I’m leaving this behind as a remnant of my life for after it happens.
I moved away from the building and the bench, as I imagined I would, and was happy for the having the chance to sit on it once again and remember those days.
Ferris Bueller said that life moves pretty fast, and if you don’t look around, you could miss it. I’m writing this to affirm that it does, and that I haven’t.
I was very fortunate to have some fun people to grow up with. Peg is my only sister, John is my older little brother, and Mickey is my younger little brother. I could tell stories about them all (and I have to my own kids, at various times), but I’ll let the pictures do the talking here.
Thanks for all the memories and laughs!
Last month, on the occasion of my Dad’s birthday, I shared a picture of him and a few words in this space. His clothes and his hair had changed over the 40 years since the picture was taken, but he’s still around and I’m very glad about that. He didn’t pull a David Bowie and die two days after his birthday (and yes, my dad is at the same age Bowie was when time caught up with him).
So today, a mere six weeks later, it’s my Mom’s turn. She too is in her 1970s finery, in this case a brown sweater that you can look at and almost hear the opening bars to Hotel California or Don’t Stop playing in the background somewhere. I grew up in the ’70s and the ’80s, and while I love the music of the 80s, the fashions of the 70s were so much more interesting.
My mom gave everything she had to me and my siblings, as we were growing up so many years ago. The only way to repay that is to recognize it (which simply can’t be done as you’re growing up yourself) and then, if the time comes, to do the same for your own kids. The circle is then reinstated, and the world keeps spinning on.
I know that my Mom reads my blog (she’s one of the few, I would imagine) so I’m happy to share a few words (and a groovy picture) in the hopes that we’ll get to do this all over again every March 24, into the foreseeable future.
Cheers to you, Mom. And thanks very much.
I’m getting to a place in life where many of the people I know have lost one or both of their parents. I have to admit to an embarrassment of riches on this front, because both of my parents are still with us, and still physically and mentally vibrant. I don’t usually think in terms of blessings, but it’s impossible to see this as being anything else.
My mom came to Chicago this weekend, to see both of my daughters perform onstage. The weather was abnormally spring-like for late February, and I was glad because it allowed us to get out and enjoy the city. The planet’s still in trouble from all the things we’ve been doing to it, but at least it gave me the chance to enjoy a day with my mom. Everything’s relative, isn’t it? And yes, I did intend that pun to get through.
My mom has given me and my siblings everything she had, and feels bad that she couldn’t do more. I feel that way about my own kids, and every parent has the same feelings, I suspect. But if we’re really lucky, we’ll get the chance to spend a day with them and tell them how much it is appreciated. That’s what love is made of.
About five years ago, or perhaps even longer than that, my parents gave me a box filled with old memories like report cards, event programs, birthday cards and, most importantly, pictures. The photos from my youth have certainly been fodder for many interesting #TBT posts on Facebook and other social media outlets.
Once a photo makes it onto the Internet, it can live forever in the online world. And so it is with this beauty, taken in the Summer of 1976. My dad, who was not yet 30 years old, is holding my baby brother, who is turning 40 years old himself this summer. I love the colors, the glasses, the hair, and the way this photo preserves a moment in time that can never be brought back again.
Today’s my dad’s birthday, and I wish him the very happiest of days. And, as a bonus, I offer this image of his bad self, so that 40 years from now someone else can appreciate that 70s style.
I can’t sing a lick, as I’m told quite often. But my daughter has a gift with her voice. She’s going to school to train her voice, and it’s not easy to get in a full day of schooling and still do that, as well. But we have to play the hand we’re dealt in life, and play to our strengths whenever possible. I’m so proud of her.
The death of David Bowie has continued to resonate with me this week. And an example of this came from an everyday incident that turned into a haunting encounter with his music in a Chicago cemetery.
I was driving south on Western Avenue yesterday, on my way to pick up my older daughter from play rehearsal. I had a bottle of sparkling water from our garage with me, to drink it along the way. As I pulled up to a red light, I twisted the cap on the bottle and things went dramatically wrong.
The bottle’s contents were in a semi-frozen state from being stored in the garage, and the act of releasing the pressure caused a spray all over the car’s interior. In an instant, I had drenched myself without intending to.
Fortunately, the light I was stopped at on Western Avenue is the street that leads into Rosehill cemetery, which I’ve written about many times in this space. I decided to pull into the cemetery, get a blanket from the trunk to dry myself off, and use some wipes to clear off the car’s control panel. When the light turned green I signaled for a turn, just as David Bowie’s “Lazarus” came on my iPhone shuffle playlist.
Driving into the cemetery, the initial bars of the music spoke to me. The music is haunting and beautiful, and the wail of the horns reminded me that, like David Bowie, every one of the people who are buried here have already crossed over to the next world, whatever it is.
I remembered why I was there, but only just barely. I parked the car, and got out to witness a 360-degree panorama of death, in some ways similar to the one I had experienced on Halloween just a few month ago. But this time I had a musical accompaniment, and it made things that much more affecting.
Scanning the horizon, I saw graves with inscriptions for people I’ll never know. And I reminded myself, yet again, that my stay on this planet won’t be any more permanent than theirs were. Whether I will get 69 years and two days on Earth like David Bowie did still remains to be seen. But the time will come when I will have to return to the wardrobe, as Bowie does at the end of the Lazarus video.
Do yourself a favor and watch this, if you haven’t already. With 22 million views and counting on You Tube, it’s having quite an impact.
After the song was ended, I cleaned up the mess in the car and on myself that had led me to the cemetery in the first place. I then drove away with a new appreciation for the fleeting nature of life, and the astounding work of art that David Bowie created in his final days. And an understanding of gas trapped inside frozen bottles, as well.
This is a tale about art and religion, with some David Bowie added in for good measure.
The story begins in a Catholic grammar school during the 1970s and early 1980s. The pastor of my parish was an elderly man who called every boy “Butch” and every girl “Sissy.” The priest’s name will not be used here since–as with most of my recollections–it’s not really germane to anything. But he was the leader of my church, and a figure that everyone in the parish was familiar with.
I never embraced Catholicism very much, and by the time I started high school in the early 1980s, I was going through the motions of going to mass every Sunday morning. I’d routinely find ways to get out of it, usually by claiming to go to Saturday mass instead and then driving around for an hour. My parents always went to mass on Sunday, and we (my brothers and my sister) went with them more often than not.
After I went away to college in the late 1980s, I found that even the pretense of attending mass was no longer necessary, so I stopped going altogether. My break with Catholicism was several years in the making, but by 1987 it was finally done. I became the “recovering Catholic” that I have been ever since.
In the summer of 1988, I attended a screening of Martin Scorsese’s The Last Temptation of Christ at the Biograph theater in Chicago. It played in very few cities, and on a very few screens, because of the controversial nature of the book that it was based on. In a nutshell, the movie plays out the story of Jesus’ life, and then adds a twist as he is nailed to the cross. He is offered a chance to live as others do, with a wife and children. And Jesus is shown with Mary Magdalene and a family. And that was more than some were ready to handle, including my old parish priest.
A week after seeing the movie, I went home to visit with my family before classes began again in the fall. And, as per family custom, we all went to mass on Sunday. I hadn’t gone in a long time, but I didn’t want to create a scene by refusing to go, and so I joined in.
The mass was the same old same old until the time came for the priest’s homily, and that’s when it got interesting. It turns out that he had an opinion about the movie, and he wasn’t afraid to share it, either. The very idea that the movie showed Jesus “fantasizing on sex” (an odd phrasing, but one that he kept repeating over and over throughout the sermon) was just too much. It was a reprehensible movie, in his view, and no one in our parish should go and see it.
After years of mass attendance, and hundreds of services, I had finally heard too much. It was obvious to me that the pastor had not seen the movie at all, and had only read or heard about it from someplace else. The very limited release of the film meant that anyone in his parish could not see the movie for themselves, absent a 400-mile round trip to Chicago. And nobody should ever go to those lengths to see a movie.
The movie didn’t show Jesus in the way that the priest was claiming. People might fantasize about something of their own volition, but temptation–as I understand it–comes from an external source. The devil in the movie holds out the possibility of a different life to Jesus, with the hope that he will find this way preferable to dying on the cross. But Jesus rejected Satan’s offer, and at the end of the movie he dies on the cross, instead.
The only difference between Jesus in the movie, and Jesus the way I learned the story in Catholic school, was that the fictional Jesus was tempted, unsuccessfully. The devil’s failure to persuade Jesus to give up his divinity for a domestic life instead was intended to challenge–but ultimately reaffirm–the traditional ideas about Jesus. Roger Ebert understood this, but it was somehow lost on my parish priest. Perhaps this is because Ebert had actually seen the movie in question.
I began writing this piece in the summer of 2013, to coincide with the 25th anniversary of the film’s very limited–and very controversial–release in theaters. Something came up on that day, and I saved a draft of what I had written, with the intention of finishing it off and getting it onto my blog. It wasn’t until the death of David Bowie earlier in the week that I even realized this was still here, languishing in my Drafts folder. And at this point I’d like to pivot to Bowie’s involvement in the movie, in one scene as Pontius Pilate.
Bowie was certainly no stranger to the silver screen, and his list of film roles underlines what a screen presence he really was. I don’t like like writing about him in past tense, either, but that’s the way it has to be now.
So the film’s second-worst character (after the big serpent, of course) was filled by one of the biggest musical stars of the decade. If there was any sense that this could have been a hazardous or toxic role for Bowie’s career as an artist, it didn’t prevent him from brushing them aside and taking the role, anyway. And he nailed the part, playing a Roman official with a gravitas that made you forget about his Ziggy Stardust days and his jumping around with Mick Jagger in the Dancing in the Street video.
Art, such as the Last Temptation novel and the film it was later turned into, has the ability to challenge us, and make us question who we are and what we’re all about. It has the power to change us, if we want to be changed, and the power to reinforce things that we may already know. But art’s ability to do either of these things is limited to our willingness to expose ourselves to it in the first place.
I wouldn’t have allowed a priest to tell me I can’t see a movie, not in 1988 and certainly not today. And if I hadn’t already seen the movie when I heard that ill-informed homily back then, I would have missed an interesting film and a very credible performance from an artist who’s no longer with us. And that would have been very unfortunate, indeed.
David Bowie could do it all: sing, play guitar, write music, act, and look the part of a Roman with a style that nobody else had. Dusting off an old, half-finished idea from long ago and posting it online is a humble tribute to him, but one that I’m still very glad to offer here.
Art has always been made, and will always be made, and Bowie’s role in this process is worth remembering and emulating, whenever possible.
Nothing says “summer” to me musically like Van Halen’s 5150 album. I turned 18 in the summer of 1986, and was determined to enjoy one last summer before going away to college. I bagged groceries by day, drank whatever I could get my hands on by night, and listened to the fusion of Sammy Hagar and Van Halen whenever I could. Life was as good as I had ever known it to be.
Many years have gone by since then, but hearing the songs on that album–my copy at the time was a tape I had recorded from the radio station that played it all the way through on air–takes me back to that time in my life. So when I received an iTunes gift card for my birthday this summer, I first used it to address a hole in my digital music collection by downloading a copy of 5150.
The technology that now allows for cars and phones to sync with each other is far beyond what was available back in 1986. So I discovered, while driving a rental car around on Cape Cod this summer, that I could put on “Summer Nights” or “Good Enough” or any other track from the album on whenever I wanted to. Driving around the Cape is fun enough to begin with, but also being able to time warp back to the summer when life was stretching out before me was an added treat.
On June 26–the day the Supreme Court ruled that everyone had a right to get married to the person they love, regardless of their gender–I was working on a laptop computer in Wellfleet, Massachusetts. I received a text indicating that my family had made their way to a beach in nearby Truro, and inviting me to come and join them. It was nearing lunchtime, so I hopped in the car, headed toward Route 6, and turned on my music of choice. The first song to come on was “Dreams,” which happens to be my favorite song on the album.
As I drove along the highway on that beautiful summer’s day, I thought of all the dreams that had been granted on that day. For far too long, people had been wrongly denied the right to enter into a legal and (if you want) religious agreement with the person they love the most. Is it any of our business what gender that person happens to be? I don’t think so, and neither did a majority of the Supreme Court.
Growing up in the 80s as I did, many of my associations with the songs of that era are from the videos that were made for MTV. The “Dreams” video I linked to above makes it all but impossible for me to hear the song and not think of the Blue Angels. But on a sunny Friday afternoon, driving down the highway from Wellfleet to Truro with this song on the car radio and a new and improved America on the horizon, I think I may have found a competing image for this song.
That’s what love is made of……
NOTE: This is the second in my series of attempts to clear out my WordPress Drafts folder. I started this post in late June of 2015, and am completing it on August 16, roughly seven weeks later. I still have a backlog of fifty or so unfinished thoughts in the Drafts folder, and will bring as many of them as I can to fruition in the days and weeks ahead.
My little one was in a hurry to get back to the ranger station and get a plastic junior ranger badge. It wasn’t anything more meaningful than that.
Even so, it felt like a metaphor of some kind. Like her youth is getting further and further away. And when that happens –as I know it must–it makes me very sad.
I first came to the Smoky Mountains when I was about her age. And I hope she comes back someday, with her own kids. But for now, I’ll just enjoy my time with her as much as I can. That’s all there is to do.
UPDATE: This was first written in the fall of 2014, and not recovered again in my Drafts folder until the summer of 2015. I lost the image I wanted to use for this when I switched cellphones in late 2014. The picture above is from an April, 2015 trip to California (Monterey, if anyone really wants to know). But perhaps not surprisingly, the feelings that inspired this draft ten months ago in the Smoky Mountains are still just as strong today, and perhaps even a bit stronger than before. I suppose that feeling isn’t going to go away.
There’s a scene from Good Will Hunting that has stayed with me, more so than the remainder of the movie. In the scene, the Minnie Driver character says that she would trade all of the money she has to spend another day with her dead father. And the reason she would is because once somebody is gone, there’s no way of bringing them back. So enjoy your loved ones while you still can.
My mom was 21 years old when I was born. At an age when I was still finishing up college and enjoying the carefree (as in, child-free) days of my early 20s, my mom didn’t have that. She had me and my sister and two brothers to contend with. Not that it was an actual competition, but she had demands on her time and resources that I can’t imagine. And she did a great job of raising us, I have to say.
I’m very pleased to report that she’s still with us today. I get to enjoy spending time with her while she’s still young enough to get around without a wheelchair or a walker. And we did exactly that a week ago, for the funeral reenactment of Abraham Lincoln. It was six hours in the car to spend four or five hours with the woman who did so much for me back when I was unable–and sometimes unwilling–to appreciate what that meant. It was a trade that I was glad to make.
I know that my mom reads my blog. So in a sense, I’m writing to her knowing that she will see it and probably get emotional. I’m getting emotional writing it, myself. But on the off chance that anybody else ever finds this online, here’s a picture and a story about my mom. She, like all mothers, loved her children and didn’t get nearly enough in return for her emotional and financial investments through the years. This is a humble attempt to repay a debt that can never be fully squared. And I’m very pleased to still have the opportunity to make payments on this account.
I don’t like rainy days, and I don’t think anybody does. I’m sure that some people prefer the rain, but like most people I’d rather have some sunshine, instead.
I was recently in California with my family on vacation. It’s a land of unspeakable beauty, and I envy the people who are lucky enough to live there. But they’re also in the midst of a drought that is threatening to change many things. Water is a precious resource, and if the rains aren’t falling, that’s not good.
There’s a saying in Hawaii that I added as the title for this post. It means that if you want good and beautiful things, you need to put up with the unpleasant things first. If you don’t eat your meat, you can’t have any pudding. Something like that.
There was a tiny little bit of rain that fell when we were in Monterey, in the middle part of our trip. California needs more rain than what fell that day, but the end result was a tiny little sliver of a rainbow that emerged as my daughter was doing gymnastic flips on the beach near Cannery Row. And the wisdom of the Hawaiians hit me all over again. The rainbow was an added bonus that made an Incredibly lovely place even more so.
I wish many more rainbows for California in the days and months ahead. They will beautify the state, of course, but they desperately need what causes them, too.
When cleaning out my garage today, I came upon a cheap little portable table that has been sitting around unused for many years. A hole in the umbrella awning, and a considerable amount of rust to the table, convinced me that it was time to let it go. Wheeling it out to the alley was not easy, though. It rolled just fine, but the younger man that I was when the table was purchased didn’t want to part with a family artifact.
There were several good days once, when the weather was nice outside and we decided to enjoy a meal together out on the patio. I knew those days were fleeting, and as a result I made sure to enjoy them as much as I could. But today I said goodbye to a tangible reminder of this history.
I knew it wouldn’t be long before some came down the alley and claimed the table as their own, so I dashed back inside to get my camera and take a picture first. And sure enough, within five minutes after the picture was taken it was gone.
While my family has grown older through the years, the clothes we once wore and the table we once used and the soccer ball we once kicked around in the park have remained as they always were. Parting with these things is not easy, but so long as the memories they evoke remain in our hearts, that can never be a bad thing.
A few days before my family and I left for a vacation in California, my little one told me that she had been reading my blog, and it made her sad. It’s certainly not something that I wanted to hear, so I decided to ask her why.
“You tell stories about the run and jump and other things we don’t do anymore, and I miss them” she told me.
I told her that I wrote stories here so that she and I could have a record of them, and if we outgrew them one day–and we’re bound to do with most things–we can look back at them fondly. And if some stranger we’ve never met before wants to read the stories, that’s OK too. Better to have the stories than to rely on our memories, which are wonderful things but are not always as reliable as they could be.
My reply seemed to satisfy her, and I was reminded of our conversation a few days later, when we were on a beach near Pacific Grove, California. We were on the 17 Mile Drive, which I had never heard of before and now I’ll hardly ever forget it. But there’s a story to tell that I hope she finds some day.
The waves came crashing in, as they always have done before, and the two of us decided to turn this experience into a race. We would walk out toward the water as the wave was coming in, and after it crashed and the water came ashore, we’d begin to backpedal, all the while saying “back…back…back” as if this would keep the water away from us.
A successful round was going all the way back before the water reached your toes or–in my case–your shoes. It was fun because even if you misjudged the wave’s size or speed, the worst that would happen is some surprisingly cold water would touch your feet. With all of the hardships in the world, a few moments of trying to outrun an ocean wave felt like a rare treat.
We called our game “Back…Back…Back” and I’d be surprised if we ever had an occasion to play the game again. But it marked our time on the beach that day, and proved to me that while some games might be outgrown or cast aside, our love and our ingenuity never will.
Sitting on the pier at Santa Monica, watching the sun as it descends toward the Pacific Ocean, reminds me of the blessings I have in my life. Two great kids have made all the difference in my life, and spending time with them will create memories that will last for the rest of our lifetimes.
Dinner last night with an old friend from grammar school was another reminder. We talked about the old days and where life has led us since then. He told me, and I don’t disagree, that karma leads us to where we are in life. And I’ve been rewarded with the good kind, fortunately.
My world hasn’t been the same since the girl in this picture entered into it, sixteen years ago this week. She makes me smile, makes me laugh, sometimes make me shake with anger, but at the bottom of it all I’d do anything to keep her happy and safe. Being a parent is like that. Happy birthday to the best thing that ever happened to me.
This is the copy of The Stranger by Albert Camus that I read in high school. I share it here to prove that Griffin High School once existed (although it ceased to be back in the late 1980s), and to show how some writers have followed me throughout my life. There isn’t much else that I’ve kept with me since high school besides the story of Meursault.
While paging through a different translation of the story, as my daughter is now reading it for a high school class, I read the author’s bio in the back of the book. I learned that Camus, like George Orwell, died at the age of 46. Since I recently wrote about Orwell’s passing at the same age I am now, I need to revise those remarks to include Camus, as well.
Should I make it to my birthday in June, I will have lived longer–numerically, at least– than two writers who authored stories that have remained with me since adolescence. I’ll have produced no literary works of any value myself, but then again few people ever have.
Upon reaching this stage in life, where the road of life no longer seems infinite, I’m reminding myself that every year–hell, every day–is a blessing. So why not appreciate life? I see no reason to do otherwise.
My two daughters love to perform onstage, but they rarely get to share a stage with each other. I suspect they don’t care about this, but for me it’s a real treat whenever they do.
They’re nearing the end of a Hamlet run this weekend, and I’m so proud to see them onstage in one of Shakespeare’s finest works. Sharing an image of them in this space gives the show a permanence that live theater cannot have, and I’m very glad to do exactly that.